Showing posts with label Gappa the Triphibian Monster. Show all posts
Showing posts with label Gappa the Triphibian Monster. Show all posts

Sunday, October 25, 2026

Meeting a Daiei New Face!

Taeko Yoshino. Photo by Brett Homenick.

Tonight (Sunday, October 25), I attended another dramatic reading featuring the great Masanori Machida. I expected a pretty typical evening, but I was in for a surprise.

On hand was actress Taeko Yoshino, a Daiei New Face who made her debut for the studio in 1960. Yoshino-san appears in Ah Special Attack Corps (1960) as Yoshie (Lieutenant Hayashi's wife), Mudcat of Ginza (1960) as Masayo, Under the Tokyo Sky (1960) as Hiroko Mishima, Beware of This Young Man (1961) as Toshiko, The Five-Man Assault Team (1961) as Mitsuko Hashimoto, A Man Who Grows Stronger (1961) as Takaoka the factory worker, and A Certain Relationship (1962) as Natsuko.

With Taeko Yoshino.

In addition, she can be seen in Shigeo Tanaka's Moon of the Scorching Sands (a.k.a. Princess and I, 1962) as a maid, The Friendship Dance: It's the Best in Japan (1962) as a cafe girl, A World of Men and Women (1962) as Yoko Tanida, Three Minutes of Shiatsu for Love (screenplay by Niisan Takahashi, 1968) as Model A, and Delinquent Boss: A Game of Chance (1970) as Yukie. She often appeared in films starring Kojiro Hongo and Eiji Funakoshi. After her film career wrapped up, she could be seen in various TV shows, daytime soap operas, and commercials (including for Panasonic).

It's extremely rare to meet Showa-era actors and actresses these days, especially ones I haven't met already, so I was quite thrilled to have the opportunity. I spoke with her for a few minutes after the show and got her autograph on a couple of items.

For the longest time, I actually had a DVD of Ah Special Attack Corps that I bought years (and years ago) but never got around to watching it. It's probably in storage somewhere in the U.S., but I certainly do wish I had it now! I hope to meet Yoshino-san again the future.

Masanori Machida. Photo by Brett Homenick.

At Super Festival, I purchased some Gappa-related bromide cards for Machida-san to sign. This, of course, was my opportunity to get them signed. I thought that's all that would happen at this event, but man was I wrong about that! What a cool evening of unexpected surprises!


And that's all she wrote!

Sunday, August 30, 2026

A Dramatic Performance in a Cool Costume!

Masanori Machida. Photo by Brett Homenick.

He looks familiar, doesn't he? Yes, it's Sunday, August 30, which means it was time to see Masanori Machida perform another dramatic reading, this time in a fun costume!

I'm always happy to come out to support Machida-san's shows, and it's even better to spend a few moments with him afterward.

It sure has helped me regain that old feeling before I left Tokyo two years ago. Many thanks to Machida-san!

Monday, July 27, 2026

Seems Like Old Times!

Masanori Machida poses with an American DVD that features one of his most famous movies (I promise!). Photo by Brett Homenick.
 
On Sunday, July 26, I attended an event with Masanori Machida, a former child actor who appears in a couple of my favorite movies. It's hard to believe that it'd been well over two years since I last saw him, but it was well worth the wait.


Machida-san and other actors performed dramatic readings (or monologues) that were Obon-themed, so they usually centered around ghosts or other such supernatural entities. Machida-san's monologue was a bit comedic and surprisingly short, but naturally his was the best.


A brought an old DVD that featured Monster from a Prehistoric Planet (1967) on the same disc as Gamera vs. Gaos (1967), which is a reminder of how good the year 1967 was for tokusatsu. Machida-san was a little confused when he saw Gamera on the cover, but, when I explained that Gappa was also included, it all made sense. 

Visiting Machida-san again was wonderful, and I guess sometimes you can go home again if you're lucky enough.

Friday, July 18, 2025

Nikkatsu Actress Masako Izumi Passes Away at 77

Masako Izumi in February 2015. Photo by Brett Homenick.

Nikkatsu starlet Masako Izumi passed away on July 9 at 1:03 p.m. at her home after a battle with an undisclosed form of cancer. She was 77.

Ms. Izumi, who was born on July 31, 1947, began her acting career in 1958 and quickly became a star when she signed with Nikkatsu Studios in the early 1960s. At Nikkatsu, she starred in such films as Toshio Masuda's tragic World War II drama Monument to the Girls' Corps (1968), Seijun Suzuki's Tattooed Life (1965), and Kirio Urayama's Each Day I Cry (1963).

Masako Izumi holds a poster for her film The Bride Is 15 Years Old (1964) in February 2019. Photo by Brett Homenick.

I was fortunate enough to meet Ms. Izumi multiple times at various events between 2015 and 2023. You can tell by the photos accompanying this blog post that she was always fun to spend time with. Unlike many Japanese actresses who attain a certainly level of fame, she was about as easygoing and unpretentious as it gets. 

Masako Izumi under a poster for her film Thank You for the Tears (1965) in January 2016. Photo by Brett Homenick.

A very interesting story that Ms. Izumi once shared is that she was offered a part in the movie Sanjuro (1962) personally by Akira Kurosawa. However, she had just signed with Nikkatsu Studios at the time, so she couldn't join Kurosawa's production. The part she was offered ended up going to Toho actress Reiko Dan.

With Masako Izumi in June 2023.

Another fun story is that Ms. Izumi watched some of the monster scenes in Gappa the Triphibian Monster (1967) being filmed at Nikkatsu. It was her first time to see the production side of tokusatsu in person, so it left quite an impression on her.

With Masako Izumi in January 2016.

Aside from being a prolific Nikkatsu Studios actress during the 1960s, she turned her attention to becoming an adventurer in the 1980s, attempting to become the first woman to visit the North Pole on foot and sled in 1985.

Masako Izumi poses with a poster for Toshio Masuda's Monument to the Girls' Corps (1968) in June 2023. Photo by Brett Homenick.

Unfortunately, she was not able to complete her attempt, and another woman, Ann Bancroft (not the actress with the similar name), became the first in 1986. Undaunted, Ms. Izumi became only the second woman to travel to the North Pole in 1989.

Masako Izumi in January 2016. Photo by Brett Homenick.

According to NHK, Ms. Izumi fell in May of this year and was hospitalized in Tokyo. While recovering at home, her health suddenly declined, and she passed away. 

Ms. Izumi leaves behind an acting legacy few Japanese actresses of the Showa era can match. May she rest in peace.

Thursday, February 22, 2024

Yoko Yamamoto, Star of Nikkatsu's Kaiju Feature 'Gappa,' Passes Away at Age 81

A 1977 portrait of actress Yoko Yamamoto on display at the Yamamoto Noriten shop in Nihombashi, Tokyo. Photo by Brett Homenick.

Actress Yoko Yamamoto passed away on February 20 at a hospital in Atami, Shizuoka Prefecture (where she had been living since turning 70), at the age of 81. The exact cause of her passing has not been disclosed, with most sources simply reporting that it was due to an illness. Notably, she appeared on the television talk show Tetsuko's Room on February 2, and, according to media reports, her passing was sudden and unexpected by those who knew her. The same articles indicate that a funeral has not yet been held.

Yoko Yamamoto welcomes you to the Yamamoto Noriten shop in Nihombashi. Photo by Brett Homenick.

Yoko Yamamoto was born on March 17, 1942, and joined Nikkatsu Studios in 1963 (debuting in 1964) as part of the studio's 7th New Face class. While never quite reaching the levels of stardom attained by some of her contemporaries like Sayuri Yoshinaga, she went on to star in Nikkatsu's sole kaiju outing, 1967's Gappa the Triphibian Monster (a.k.a. Monster from a Prehistoric Planet). Also in 1967, Yamamoto signed a contract with Yamamoto Noriten, a company that specializes in seaweed products.

The Guinness World Records certificate om display at the Yamamoto Noriten shop in Nihombashi, Tokyo. Photo by Brett Homenick.

Almost 60 years later, Yamamoto remained the face of the company. In November 2009, she was officially recognized by Guinness World Records as being the longest-serving house model for the same company. In 2023, she celebrated her 60th anniversary in the entertainment business.

A 1975 portrait of actress Yoko Yamamoto on display at the Yamamoto Noriten shop in Nihombashi, Tokyo. Photo by Brett Homenick.

In March 2018, I visited the Yamamoto Noriten shop in Nihombashi and took some photos relevant to Ms. Yamamoto's career, which you can see in this blog post. While I never had the privilege of meeting Ms. Yamamoto in the flesh, I've always enjoyed her performance in Gappa, which is a perennial favorite of mine.

A 1975 portrait of actress Yoko Yamamoto on display at the Yamamoto Noriten shop in Nihombashi, Tokyo. Photo by Brett Homenick.

RIP, Yoko Yamamoto.

Saturday, January 27, 2024

A Dramatic Reading Gets Much More Dramatic Afterward!

Masanori Machida. Photo by Brett Homenick.

Last night (Saturday, January 27), I made my way to another dramatic reading performed by Masanori Machida. This time, Machida-san's story was less a recital of a script and more like a miniature play, featuring several other actors who weren't reading from a script. The story centered around an old woman who wanted to look young and beautiful, so she sought out plastic surgery. It was quite interesting and was a nice change of pace.

Suffice it to say, I came to the venue prepared. After the performance, I brought quite a few DVDs and Blu-rays that feature Machida-san. Most were public-domain releases of Monster from a Prehistoric Planet (1967), which is one of my favorite kaiju movies. On one release, it's paired with Yongary, Monster from the Deep (1967), as well as the Roger Corman edit of the Soviet film Voyage to the Prehistoric Planet (1965), another favorite.

I thought it would be cool to have Machida-san pose with these various releases before signing them. The photos turned out great, as did the autographs. With that said, here are some of the shots I was able to get. Enjoy!





Sunday, October 22, 2023

Another Fun Evening of Dramatic Readings!

Masanori Machida. Photo by Brett Homenick.

Earlier tonight (Sunday, October 22), I attended another dramatic reading with the great Masanori Machida. As always, it was great to see him again.

Masanori Machida. Photo by Brett Homenick.

Next month, there's an event centered on a movie in which he appears, so I asked him if he would join that event. He told me he wouldn't have a chance due to his stage acting. It's too bad, but at least I got my answer.


One of the performers didn't use a script when she spoke. But there was an assistant behind the curtain who would feed her her lines when she forgot them. You could hear the assistant whispering the lines more than a few times throughout her performance. It was pretty awkward to see, but also slightly amusing. 


Not much else to say, so that's a wrap. It's still only October, but it's gotten quite cold in Tokyo, so it looks like winter's starting early this year.

Sunday, August 27, 2023

All the Drama You Can Take at a Dramatic Reading!

Masanori Machida. Photo by Brett Homenick.

Earlier tonight (Sunday, August 27), I went to another dramatic reading with Masanori Machida. It'd been a while since I last saw him at one of these readings, and as always it was a lot of fun. Not much else to say, really, so let's look at the highlights.





Sunday, May 28, 2023

Attending a Live Performance That Was All the Way Live!

Masanori Machida. Photo by Brett Homenick.

Earlier tonight (Sunday, May 28), I attended another live performance by Masanori Machida. These events are always a fun way to spend a Sunday afternoon or evening. Machida-san is always a cool cat.

I actually wasn't sure whether I would attend just because I found myself a bit busy earlier in the day, but, when I finished with enough time to attend, I decided to do it. I couldn't attend last month's performance because it was held on a Thursday, and it interfered with my work schedule. 


Tonight more than made up for that, however. As always, it was great to spend some time with Machida-san. Can't wait to do it again!

Sunday, March 26, 2023

Clark Kent Comes to Tokyo? No, It's Machida-san!

Masanori Machida. Photo by Brett Homenick.

Earlier tonight (Sunday, March 26), I attended another dramatic reading featuring the great Masanori Machida. Actually, I arrived late to the show, but I was quite surprised to find that the show was literally wrapping up as I entered! I was particularly surprised because last month's performance went on much longer than I expected. Perhaps the heavy rains kept a performer or two away -- in any case, it was interesting that the show ended so soon.

Masanori Machida. Photo by Brett Homenick.

I had a few screen grabs on my phone from The Green Slime (1968), in which Machida-san played one of the aliens. I wanted to confirm that he played the very first alien that we see in the film in its full form -- the one writhing on the floor next to the "Danger High Voltage" sign that Robert Horton wants to shoot with a laser gun before he's talked out of it. (A net is fired on in instead.) Machida-san looked at the grabs and confirmed that was him.

I told Machida-san that he looked cool in his costume and that he looked like a detective. He told me that, in today's story, he played a character who wants to become Superman, so he dressed like Clark Kent. I thought that sounded great, and it made me regret that I missed his performance. 

Despite the miserable weather, it was a fun evening. Many thanks to Machida-san!

Sunday, February 26, 2023

A Windy Evening in the Company of a Great Performer!

Masanori Machida. Photo by Brett Homenick.

Earlier tonight (Sunday, February 26), I attended yet another dramatic reading featuring actor Masanori Machida. Actually, by the time I arrived, Machida-san had already given his performance, so I missed it, unfortunately. Interestingly, there were probably more people in attendance than I'd ever seen before, and there seemed to be mostly brand-new staff members there, too, as there were plenty of new faces and very few people I recognized.


I brought a flyer for the Laputa Asagaya's Science Fiction Film Festival for Machida-san to sign. Since The Green Slime (1968) was one of the featured films in the program, it was certainly a relevant item for him to sign. I was surprised to find out that Machida-san didn't know about the screenings. I figured he must have known about it, so I regret not giving him a heads-up about it.

After signing the flyer, Machida-san stepped away to greet other audience members and then came back to me and asked me if I wanted to take photos. Of course I did! As usual, it was quite fun. A big thanks to Machida-san for another fun evening!