Eiichi Asada. Photo by Brett Homenick. |
Earlier today, I had the distinct privilege of seeing Godzilla vs. the Smog Monster (a.k.a. Godzilla vs. Hedorah, 1971) in 35mm. The print was essentially perfect, and it was the best way to see this film.
Eiichi Asada offers a toast to the memory of Teruyoshi Nakano. Photo by Brett Homenick. |
While it's not among my favorite Godzilla movies of the '70s (the last three hold that honor), it's still a very good one. The pacing isn't the best (the final battle drags on a bit too long, in my opinion), but I'd take it in a heartbeat over most films from the '90s and beyond.
The guest of honor was special effects director Eiichi Asada, who directed Hedorah in his big comeback vehicle, Godzilla: Final Wars (2004). Asada-san was also an assistant director on numerous tokusatsu movies, starting with Godzilla vs. Megalon (1973). While he just missed out on working on Smog Monster, he certainly is well versed in how kaiju movies were made at Toho during that time.\
Eiichi Asada. Photo by Brett Homenick. |
The screening was a tribute to the late SFX director Teruyoshi Nakano, who passed away just a couple of months. Asada-san worked as chief assistant director under Nakano-san, making him a perfect pick to headline the event.
Asada-san led the audience in a toast to the memory of Nakano-san. It was quite a moment.
After the screening, I sat next to Asada-san during the after-party. One thing I found out was that Asada-san loves pro wrestling. I was surprised when he mentioned the wrestling maneuver the lariat, but he couldn't remember which wrestler used it. When I mentioned Stan Hansen, that jogged his memory. Asada-san was also amused when I showed him a picture of Abdullah the Butcher on my phone, quickly exclaiming, "Butcher!"
We also talked about Toho assistant director Yoshio Tabuchi and the making of Smog Monster. It was another fun evening, and I'm very grateful I got to attend.
Eiichi Asada. Photo by Brett Homenick. |
That's a wrap! See you next time.
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