Revisiting an Okamoto Classic with a Classic Screenwriter!

Hiroshi Kashiwabara. Photo by Brett Homenick.

Tonight (Monday, March 25), I paid another visit to screenwriter Hiroshi Kashiwabara at his cafe. The topic of the evening was originally scheduled to be Catch-22 (1970), which is what I was expecting when I entered the venue. However, when I arrived, I discovered that the plans had changed due to the recent passing of actor Minori Terada.

 

Instead, the topic was Kihachi Okamoto's The Human Bullet (1968), which stars Terada. There are things to admire in The Human Bullet, but I can't say it's a great film or even completely successful. The story does drag at times, and I think it could have easily been tightened. It's not a bad film by any means, just an imperfect one. 

I've seen Catch-22 twice. The first time was back in 1997 when I hadn't yet read the book, so the film basically went completely over my head and made no sense to me. The second time was around 2019 on DVD when the film was much more understandable. I think a better film could have been made from the source material, but there are great moments in it. (Hey, that sounds like exactly what I wrote about The Human Bullet!) 

After that, there was the usual conversation among the attendees, and the subject of tokusatsu was naturally on the agenda. It was fun chatting with the various folks about the movies and TV shows they watched as kids.

As I was saying goodbye to some people, Kashiwabara-san pulled out his phone and took a couple of photos of me, which he later sent to me. (You know what I say about VIPs who take pictures of you.) A big thanks to Kashiwabara-san for tonight. I hope our next meeting won't be too far in the future.

FAIL SAFE! Reconsidering an American Classic with a Japanese Connoisseur of Cinema!

Hiroshi Kashiwabara. Photo by Brett Homenick.

Tonight (Monday, March 18), I paid a visit to Hiroshi Kashiwabara's cafe to participate in an event focused on a classic movie. (If you know anything about Kashiwabara-san, you know about his extensive fondness for American oldies.) The topic of the evening was the Sidney Lumet thriller Fail Safe (1964).

Some of the memorabilia on display. Photo by Brett Homenick.

It's always been fascinating to me (in a less-than-positive way) that Dr. Strangelove (1964) is regarded as an all-time classic while Fail Safe has largely been forgotten. I first saw Dr. Strangelove circa December 1996 when I was going through my Kubrick-Is-God phase (through which most teenage boys eventually have to pass). That and The Shining (1980) were the two Kubrick films I had the most trouble getting into. (I'd throw in 1962's Lolita, too, but does a film that minor even rate?)

I just never found Strangelove particularly clever or funny. It has its moments (most of which I found out later were improvised), but I'd be hard-pressed to call it one of the best films of 1964, let alone of all time.

Even more memorabilia! Photo by Brett Homenick.

Around August 1997, I saw Fail Safe for the first time on late-night cable TV. It was everything that Strangelove wasn't. I've since read that audiences of the time avoided Fail Safe because they supposedly found the subject matter humorous in the wake of the Kubrick film, but I certainly wasn't laughing. (Heck, I wasn't laughing the first time around, watching the genius auteur's would-be comedy.) Fail Safe kept me on the edge of my seat, and ever since that evening I've considered it the superior film.

Anyway, a funny thing happened this evening. When I entered the venue, I noticed a few attendees giving me a quizzical look. One of them asked Kashiwabara-san if I was an actor. He explained who I was, after which I confirmed to the folks in attendance that I'm indeed not a performer.

When the discussion of the film ended, Kashiwabara-san asked me to stand up, and he proceeded to tell the gathered attendees about more about me. I wasn't expecting to be put in the spotlight, but it's always flattering. Afterward, a few attendees expressed interest in seeing my interviews, so I shared the URL for Vantage Point Interviews with them. They seemed impressed!

Tonight was a fun night of film discussion. Many thanks to Kashiwabara-san for making it possible!

A Great Time with the Screenwriter Who Helped Launch Godzilla's Millennium Series!

Hiroshi Kashiwabara. Photo by Brett Homenick.

After meeting Kazuomi Sasai on Friday, March 15, I immediately met up with screenwriter Hiroshi Kashiwabara. I was pleased to have the opportunity to sit down and chat with Kashiwabara-san, as it had been far too long since we last had such a chance.

I was bowled over when Kashiwabara-san brought out his "going away" present for me -- the Godzilla vs. Mechagodzilla II (1993) script that producer Shogo Tomiyama gave him in order to prepare for writing the screenplay for Godzilla vs. SpaceGodzilla (1994). It is certainly a privilege to own this bit of Toho history!

Hiroshi Kashiwabara with his copy of the Godzilla vs. Mechagodzilla II (1993) script. Photo by Brett Homenick.

We discussed several topics -- everything from Godzilla Minus One (2023) to the state of American politics. But the conversation mostly centered around movies.

Kashiwabara-san named his three favorite actors in order for me, which was the first time I'd heard his list. They are: 1. John Wayne, 2. Steve McQueen, and 3. Burt Reynolds. I never realized that Kashiwabara-san was a big Burt Reynolds fan, but there you go.

Hiroshi Kashiwabara signs the script. Photo by Brett Homenick.

He told me his favorite Reynolds movies were The Longest Yard (1974) and Hustle (1975). I wasn't aware of Hustle and thought he might have meant Boogie Nights (1997). He said he likes that one, too, but that Hustle was a separate film. I had to look it up!

Kashiwabara-san didn't know the English title Deliverance (1972), so, when I showed him the Japanese translation, he shared his admiration for that film, too. That one is probably my favorite Burt Reynolds film.

When we were wrapping up, Kashiwabara-san took a photo of me on his phone with the MG script, as well as a photo of the two of us together. Remember what I said about when VIPs want photos with you?

And, after all that, Kashiwabara-san also signed some SpaceGodzilla memorabilia for me. What a cool guy!

Photo by Hiroshi Kashiwabara.

As we were leaving, much like Asada-san before him, asked me if I knew who Troy Donahue was. Of course, I now know all about his song about Palm Springs!

Many thanks to Kashiwabara-san for his unparalleled generosity. I'm so proud to have that script!

Takehiro Murata Q&A Now Live on Vantage Point Interviews!

Takehiro Murata in July 2023. Photo by Brett Homenick.

Is there still a little Godzilla in all of us? Only one man has the answer, and Vantage Point Interviews has the scoop! Check out my interview with Godzilla 2000 (1999) star Takehiro Murata!

But that's not all. Mr. Murata's first appearance was in Godzilla vs. Mothra (1992) as Kenji Ando, which he followed up with cameos in Godzilla vs. Destoroyah (1995) as Soichiro Hayami, GMK: Giant Monsters All-Out Attack (2001) as an F-7J pilot who does battle with Godzilla, and Godzilla against Mechagodzilla (2002) as a convenience store clerk who gets an unexpected surprise. All these roles and much more are covered in the interview.

 Even in 2024, content is king at Vantage Point Interviews. Don't miss it, be there!

Tokusatsu DNA at the Tobu Department Store Ikebukuro!

Toho tokusatsu props on display at Tokusatsu DNA's pop-up store in Ikebukuro. Photo by Brett Homenick.

From October 26 through November 7, the the Tobu Department Store Ikebukuro will host a Tokusatsu DNA pop-up store on its 8th floor. Naturally, the store features many items that I haven't seen for sale anywhere else. The coolest part of all, however, was seeing a couple of Toho props from the late '90s, namely Shinichi Wakasa's original upper-body Godzilla suit used for underwater shooting in Godzilla 2000 (1999), and Shinichi Wakasa's King Ghidorah neck guignol (puppet) from Rebirth of Mothra III (1998). So, instead of a thousand words, here are almost as many photos -- enjoy!

 

Godzilla Sighted Again in Setagaya!

It's Godzilla! Photo by Brett Homenick.

 

Last year, I went to the Setagaya Literary Museum to check out the Godzilla 2000 (1999) filming suit on display there, and earlier today I came back for another visit with my friend Jacob. It was great to see the refurbished suit, which had recently been touched up. (Its head was noticeably drooping last year.)

It's still hard for me to believe that this suit was used during filming on a movie made almost 25 years ago, but the signage, and even the staff, confirmed that it was used during shooting. Jacob was fascinated by the suit, and it's easy to see why.

As an added bonus, we happened to walk into a gallery honoring famed Japanese costume designer Etsuko Yagyu (1929-2020), who worked on a variety of films in a variety of genres, including the rollicking musical You Can Succeed, Too (1964). In fact, numerous costume design sketches from the film were on display, which were great to see. We didn't realize that this exhibit was being held, but we were glad we found it. It offered an intriguing look at Japanese movies that are quite often overlooked.

It was a great way to spend an evening!