Yoshihiro Mori. Photo by Brett Homenick.
Today I was pleased to attend a special event with a new special guest whom I'd never met before. The guest was cinematographer Yoshihiro Mori whose career in SFX productions spans several decades and covers some of Japan's most famous creations.
Yoshihiro Mori began his career in the late 1950s at Toho, working on such tokusatsu classics as The Three Treasures (1959), Battle in Outer Space (1959), The Secret of the Telegian (1960), I Bombed Pearl Harbor (1960), and Mothra (1961). After working at the studio as an assistant cameraman, he quit Toho to join Toei and later worked at Tsuburaya Productions during the studios heyday, lending his talents to Ultra Q (1966), Ultraman (1966-67), Kaiju Booska (1966-67) Ultra Seven (1967-68), Time of the Apes (1974-75), and Megaloman (1979), among many others.
As if Mori-san's participation weren't enough, we were joined by a surprise guest: actor Shinya Ono. Ono-san was a regular on the TV series Wild 7 (1972-73) and Strada 5 (1974), both of which feature tokusatsu elements. Mori-san also worked on Wild 7 as a cameraman.
With Shinya Ono.
It was a wonderful event with friendly guests. It was also interesting to hear many firsthand stories about tokusatsu shooting.