R. J. Kizer poses with a photo of an old friend. Photo by Brett Homenick.
After spending the afternoon with Adryan Russ, I headed over to the Tallyrand restaurant to meet up with director and film editor R. J. Kizer, whom I've interviewed more than once. This was also our first face-to-face meeting.
When I pulled into the parking lot, I spotted R. J. entering the restaurant. He saw me, as well, and waited for me to park my car. When I walked up to him, he commented that I was taller than he expected. That made me feel like I was back in Japan!
While we ate, R. J. shared quite a few stories about his time at New World Pictures, most of which I'd never heard before. But, because I'd never really spoke to him about anything other than his work on Godzilla '85, that was to be expected.
The stories were just as often hilarious as they were fascinating. I felt someone could make quite an entertaining movie based on some of R. J.'s experiences. It certainly would be a lot more fun than the recent Jason Reitman flick Saturday Night.
I'm amazed it took us this long to meet in person, given how Godzilla 1985 is one of my favorite films. But I'm overjoyed it was finally happened. After dinner, R. J. gave me directions back to the freeway, which turned out to be spot-on. Many thanks to R. J. for a wonderful evening!
On Sunday, October 20, I made my out to Los Angeles and had a great time there. The first meeting I had was with Adryan Russ, who performed the iconic "Save the Earth" song for the AIP release of Godzilla vs. the Smog Monster (1971). Even though I interviewed Ms. Russ way back in 2007, this was our first visit in person.
We met at the Lonny Chapman Theatre for a performance of The Orphan's Revenge, which was pretty enjoyable. The melodramatic show encouraged audience participation in the form of booing and hissing the villains and cheering the good guys. I don't think I'll ever forget the name of "Yack" Phillips.
"Save the Earth!" Photo by Brett Homenick.
After the show, we noticed a massive fire close to our vicinity. The smoke happened to be billowing from an area directly behind Joe's Smog Check, which, given the circumstances, was quite a coincidence. It looked like Godzilla and Hedorah were duking it out behind a sign warning the world about smog! If only Yoshimitsu Banno and his camera crew were there, it would have been complete.
It was great to meet Adryan in person and to chat about not just Smog Monster but a variety of other topics. I look forward to meeting up again in the future.
Keizo Murase in October 2020. Photo by Brett Homenick.
Longtime kaiju suitmaker Keizo Murase passed away on October 14 at 8:21 p.m. at the age of 89. According to news reports, the cause of death was decompensated cirrhosis of the liver.
Keizo Murase poses with an old friend in April 2019. Photo by Brett Homenick.
Murase-san's credits in the word of tokusatsu as a suitmaker are second to none. But I'll let the master himself tell his own story in my interviews with him, which can be read here and here. Those Q&As tell Murase-san's story better than I possibly could in this blog post.
Keizo Murase in March 2016. Photo by Brett Homenick.
To the best of my knowledge, I first met Murase-san at an event in May 2013. I subsequently met Murase-san in and around Tokyo numerous times and enjoyed interviewing him at his company more than once.
Keizo Murase chats with kaiju beam animator Sadao Iizuka in March 2016. Photo by Brett Homenick.
While I wasn't as close to him as I was with other Godzilla series alumni (as I recall, we spoke on the phone only once, and I received a New Year's greeting card from his company once or twice), I always enjoyed his friendly presence at the events his attended.
Keizo Murase poses with Ultra-series director Toshihiro Iijima in March 2016. Photo by Brett Homenick.
When I first interviewed him in April 2018, I remember he essentially showered me with gifts, presenting me with a Cast Co. bromide card set with photos from his career, as well as a copy of his book. It was a gesture I've always remembered and appreciated.
Keizo Murase in March 2016. Photo by Brett Homenick.
After the interview, which was held in Murase-san's workshop way out in Mizuho, Tokyo, I still had to teach a group lesson on the 10th floor of the Shinjuku Sumitomo Building (the same structure Godzilla crashes into after his first encounter with the Super X) that evening. Murase-san, who picked my translator and me from the nearby train station in his car, drove us back to the station when we were finished. Miraculously, I somehow made it to the lesson literally in the nick of time. Had I arrived even a minute later, I would have been late. It still amazes me how perfect the timing was, given the distances (and various modes of transportation) involved.
Keizo Murase at his workshop in February 2024. Photo by Brett Homenick.
My last encounter with Murase-san was in February of this year, just before I left Japan. I visited his workshop one more time to interview him again about his career. Even after the third interview, I still didn't get to cover all the topics I would have liked, but I was and still am grateful to have had the opportunity. The interview probably won't be published for quite a while (I have a massive backlog), but I look forward to getting it published sometime in the future.
With Keizo Murase in February 2024.
When I visited Murase-san that day, he was riding high on the fact that he had been selected to receive a special award at the Japanese Academy Film Prize on March 8 for his contributions to Japanese cinema. The timing of that award was impeccable, and I'm proud that Murase-san was able to receive such a prestigious accolade in his lifetime.
With Keizo Murase in March 2016.
While we were taking photos after the interview in February, Murase-san grabbed his phone and asked his son to take a picture of the two of us together. I've said it before, but it's always cool when a VIP asks to take a photo with you.
With Keizo Murase in October 2020.
Murase-san created some of the most fantastic images of my childhood, and it was my privilege that I was able to spend some precious moments in his company. Rest in peace, Murase-san.
Fathom Events' Studio Ghibli Fest 2024. Photo by Brett Homenick.
"This is Operation: [Howl's Moving Castle]." -- Don Frye, Godzilla: Final Wars (2004)
I'm sure I've mentioned it here before, but I've never been a fan of Studio Ghibli. I suppose it would be a bit more accurate to say that I've never been into anime in general. It's just never been my thing, though I guess I can see why others would be into it. Under other circumstances, I might have become a fan myself.
To the best of my knowledge, the only Ghibli film I'd seen before tonight was My Neighbor Totoro (1988), which was shown on video in one of my classes back in the day. Honestly, I can't remember if we even finished the thing, but that (more or less) had been my only exposure to Ghibli.
While going to the movies a month or two ago, I noticed the above advertisement promoting something called Studio Ghibli Fest. One title in particular stood out to me -- Howl's Moving Castle (2004). Pretty much every Ghibli fan I've spoken to has essentially the same opinion: It's just not that good. So you may be wondering why that, of all the movies being screened, would catch my attention.
In early 2005, I read in a Godzilla fanzine that Godzilla: Final Wars (2004) got its clock cleaned at the Japanese box office by Howl's Moving Castle. I knew absolutely nothing about that film and hadn't even heard of it until then. But, in that moment, the two movies became inextricably intertwined in my mind.
Howl's movin' and groovin'. Photo by Brett Homenick.
So that brings me to tonight when I caught a screening of Howl's Moving Castle at the nearby multiplex. The version I saw was the English dub with Christian Bale as Howl, by the way.
What did I think? Well, not much, I'm afraid. I have to agree with the folks who've told me over the years that the movie isn't very good. There are no memorable characters, the story and set pieces are all off-the-rack, and the climax was downright dull. What am I saying? The whole movie was dull. I was bored to distraction throughout.
The image of the moving castle itself was pretty impressive, but that's the only positive thing I have to say about it. Otherwise, I was indifferent to the thing. If I'm being honest, I just don't think Ghibli's animation quality lives up to the hype. That's not to say that it's bad or even mediocre, just that it doesn't measure up to the endless praise I read online -- in my humble opinion, anyway.
Here's a quote for the poster: "Better than Howl's Moving Castle!"
It's rather interesting to read the drubbing that Francis Ford Coppola's latest opus, Megalopolis (2024) is receiving from critics and audiences. I saw the film last night and thought it was pretty good -- not great, but certainly not the unmitigated disaster some are trying to make it out to be. Watching the two films back to back, I can safely say that Megalopolis is much much satisfying.
Suffice it to say, that itch has been scratched, and I can put Howl's Moving Castle away and (in all likelihood) never think about it again. It's too bad Japanese audiences went with the wrong film in late 2004, but it's not like we can do anything about that now.
Come to think of it, how about Don Frye as the voice of Howl? Now that's some inspired casting!
According to a longtime friend of the actor, Jack Morris, who appeared as Lt. Morris in the made-in-Japan cult classic The Green Slime (1968), passed away last night, September 20. He was 84.
John Robert Morris was born on April 29, 1940, in Winnipeg, Manitoba, Canada. Mr. Morris moved to Japan in 1967 and eventually returned to Canada in 1972. Mr. Morris spoke extensively about his memories making The Green Slime in my 2021 interview with him, which you can find here.
He is survived by his wife Kyoko, as well as his children James, John, and Mika.
Rest in peace to a friendly gentleman. Sincere condolences to Mr. Morris' family and friends.
In all the years I've researched the personalities involved with various tokusatsu works, I've never encountered a case as strange and unusual as that of William Manuel Tapia Alemán. William Tapia appears as Webb, chairman of the Solar System Development Organization (SSDO) in the Toho science-fiction epic Sayonara Jupiter (1984). He is also credited as "Capitan" in Shohei Imamura's Why Not? (1981).
However, what sets him apart from all the other foreigners who starred in Japanese SFX films is his dramatic fall from grace, as well as his meteoric rise back to prominence after the dust had settled. It's a story with a lot of twists and turns, but let's get started.
On July 18, 1990, The New York Times published this story, which broke the news to most folks around the world:
A Nicaraguan diplomat in Tokyo was arrested there yesterday on United States charges that he took part in a plot to smuggle millions of dollars of heroin into New York City.
Federal officials in New York announced the arrest of William Tapia, who was the counselor of the Nicaraguan Embassy in Tokyo. He was arrested by the Japanese authorities, acting on a request from Washington.
Mr. Tapia was dismissed from his diplomatic post just before being arrested on charges of arranging for another diplomat to smuggle 125 pounds of heroin from Thailand to New York in 1987. The heroin was said to have a street value of at least $18 million.
A former Nicaraguan diplomat, described as 'almost a godfather' in the diplomatic community in the Far East, was arraigned Monday on charges he recruited fellow diplomats to smuggle heroin into the United States and Australia.
William Tapia, 47, who has lived in Tokyo for 14 years -- most as a diplomat, and most recently as the second-in-command to the Nicaraguan ambassador there -- was charged in U.S. District Court on seven counts of heroin trafficking.
The counts were contained in an indictment unsealed last July. Tapia was arrested July 17 in Tokyo, and has been held there until his extradition to New York on Friday.
The ex-diplomat pleaded not guilty, and a bail hearing was set for Thursday. He was remanded to the Metropolitan Correctional Center in Manhattan until that time.
The indictment charged that Tapia on two separate occasions between April and November 1987 arranged for a Guatemalan diplomat to smuggle about 125 pounds of heroin from Thailand to New York.
The estimated street value of the 'China White' heroin was about $18 million to $21 million.
Assistant U.S. Attorney Cathy Palmer, who is prosecuting the case, said Tapia used his considerable influence in the diplomatic community to recruit 'carriers' of heroin into both the United States and Australia.
'He became almost a godfather in the community,' said Palmer, 'somebody whose advice was often sought.'
Tapia has a Japanese wife and speaks fluent Japanese, Chinese, Spanish and English, she noted.
The way the transportation of the drug would work, Palmer said, is that Chinese heroin marketers would arrange for the drug to be delivered to the diplomats -- who could earn a fee of as much as $400,000 for a load of 40 kilograms simply for taking the drug through customs with their own luggage.
Because of their diplomatic status, the officials were rarely challenged for inspections. 'It was a guaranteed way' to get the drug through customs, Palmer said.
'It isn't subject to challenge.'
Tapia, prosecutors charged, himself carried a load of heroin into Australia using the method.
The usual load for a diplomat to carry would be between 31 to 34 kilograms, or 62 to 70 pounds, Palmer said.
One Guatemalan diplomat, Jorge Rueda, who transported the heroin into New York in April and October 1987 for Tapia was arrested by the Australian National Crime Authority in April 1988 on heroin importation charges, and was subsequently convicted.
He is expected to testify against Tapia, Palmer said, and is cooperating in the case. Other arrests of diplomats involved in the scam are expected, Palmer said.
If convicted on all seven counts of the federal indictment, Tapia faces a possible life term in jail and fines up to $4 million.
About a year later, on September 11, 1991, The New York Times reported on Tapia's guilty plea:
A former Nicaraguan diplomat pleaded guilty in Brooklyn yesterday to Federal charges of aiding and abetting the importing of heroin, according to Federal authorities.
The defendant, William Tapia, was arrested last year in Tokyo, where he was the counselor of the Nicaraguan Embassy. Mr. Tapia was dismissed from his diplomatic post after Japanese authorities arrested him at the request of the United States. He was charged with taking part in a 1987 scheme to smuggle 125 pounds of heroin from Thailand to New York City.
Judge Eugene H. Nickerson accepted Mr. Tapia's guilty plea in a closed courtroom in Federal District Court in Brooklyn. The judge declined to say why he excluded the public and reporters from the courtroom.
The guilty plea was confirmed by Ann Driscoll, public information officer for United States Attorney Andrew J. Maloney. She said Mr. Tapia, who has been held in custody since his arrest, faced a sentence of 5 to 40 years in prison.
Two months after Tapia entered his guilty plea, future FBI director Robert S. Mueller, then assistant attorney general of the Criminal Division of the U.S. Department of Justice, gave a statement on November 6 before the Senate Permanent Subcommittee on Investigations, Committee on Governmental Affairs, regarding Asian organized crime. According to his prepared remarks, Mueller testified:
In early 1990, the United States Attorney for the Eastern District of New York obtained an indictment in Brooklyn on heroin trafficking charges against William Tapia, a senior Nicaraguan diplomat assigned to the Nicaraguan Embassy in Tokyo, Japan, in United States v. William Tapia. Tapia was accused of recruiting and using other diplomats to smuggle large quantities of heroin from Asia into the United States. On July 17, 1990, immediately after the Government of Nicaragua removed Tapia from his diplomatic post, the Japanese Government executed a U.S. request for his provisional arrest pursuant to the U.S.-Japan Extradition Treaty. Tapia was successfully extradited to the United States in October 1990, and on September 10, 1991, he pleaded guilty to a heroin importation charge. Tapia faces between 5 and 40 years of incarceration and a fine of up to $2 million.
This important blow against the abuse of diplomatic status in furtherance of narcotics trafficking could not have been delivered absent the outstanding cooperation of Japanese law enforcement authorities. In addition, the United States received significant cooperation in this case from Hong Kong and Australia.
So, as you can see, the Bush Justice Department was riding high on the fact that it was cracking down on Sayonara Jupiter cast members. But was all as it seemed? Well, this is where stories in the American press begin to fade, and we have to turn to Nicaraguan media to pick up the slack.
Before we proceed, you should probably bear in mind that, according to many estimates, Nicaragua is one of the least democratic countries in Latin America, so it might be best to take some of these local news reports with a grain of salt. With that in mind, let's proceed.
On February 26, 2008, the Nicaraguan newspaper La Prensa published an exhaustive story about Tapia and his legal woes. Excerpts are contained below and have been translated into English using machine translations:
Tapia Alemán was arrested in Tokyo on July 17, 1990 by the United States Government, accused of trafficking drugs from Thailand to New York and working with a Hong Kong mafia syndicate that recruited other diplomats for drug trafficking.
The Japanese mafia allegedly took advantage of the officials' immunity and the fact that they were exempt from having their personnel checked, in which they were estimated to be carrying an average of 28 to 32 kilograms of heroin.
The story continues:
News reports at the time said the charge was being pushed by the DEA, with support from other anti-narcotics departments in Australia, Hong Kong and the United Nations.
The news of Tapia Alemán's capture became known ten days later, making the front pages of the national newspapers of the time.
In October 1990, Japan agreed to extradite Tapia to the United States. The then foreign minister of the republic, Enrique Dreyfus, told the media that "both the Nicaraguan Foreign Ministry and the Japanese government have conclusive evidence of Tapia's participation in international drug trafficking," but that this evidence was not revealed so as not to affect the progress of the trial.
Furthermore:
The reports revealed that the US and Japanese authorities had been following Tapia since 1986, when it was suspected that he brought drugs to New York on behalf of the Japanese mafia cartel.
In addition, in 1988, a Guatemalan diplomat identified as Jorge Rueda was arrested in Australia and sentenced to sixteen years in prison for drug trafficking, and his defense declared that Tapia Alemán was his "contact."
While in prison, Tapia told the media that he suspected someone had stolen his passport to travel, because he had not left Japan on the date he was accused of.
In addition:
However, the next note of the case appears a year later, in September 1992, in the newspaper Barricada, according to which Tapia was declared innocent and would be released in ten months to return to Masatepe, his hometown, or to Japan, where he He had married Hisako Susuki [sic] and had two daughters.
Additionally:
Tapia Alemán arrived in Japan as cultural attaché at the Nicaraguan Embassy in 1968, during the government of Anastasio Somoza Debayle. He resigned in 1979, but returned to the Embassy in 1986, serving as first secretary of the Embassy, a position he held before being stripped of his immunity and arrested.
A January 28, 2021, story from the same newspaper covers much of the same ground, including this tidbit:
In 2000, Tapia was a candidate for mayor of the Sandinista National Liberation Front (FSLN) in Masatepe, but his diplomatic career in Japan was what his opponents used to make him lose.
You may be wondering why the Nicaraguan press was digging into a story from the late 1980s and early '90s in the year 2008 and beyond. That's because he had been appointed ambassador to Taiwan on November 21, 2007. Yes, that's right; after all that legal turmoil, which included a guilty plea, he became the country's official ambassador to Taiwan.
It seems that his previous legal troubles weren't much of an issue for his appointment. The same story reports:
Since the weekend, LA PRENSA has tried to obtain a version of events from the Foreign Minister, Samuel Santos, but it was impossible to locate him through his cell phone or the Press Office, which handles requests.
Foreign Ministry representative Vilma Aburto said she would try to obtain an official version from the foreign minister, but that he would be in a meeting "all day."
However, he said that when Tapia Alemán was appointed, Santos was consulted on the matter, but he said that he "was an excellent person, that he had not received any (bad) references (from Tapia) and that the Government (of China Taiwan) did not deny the approval."
According to this July 23, 2020, article in Confidencial, Tapia was removed from his post as ambassador after holding the post for roughly 13 years, though it is unclear why. Taiwan News Formosa TV suggests that it might have been because Tapia was too pro-Taiwan and that the Nicaraguan regime was looking for a change in policy.
William Tapia can be seen in this Contact Taiwan video below during his time as Nicaragua's ambassador to Taiwan:
So what do you think? Is this a real-life Scarface, or was he simply a victim of the machinations of the yakuza? In either case, it's fascinating to know that one of the main cast members of Sayonara Jupiter has led such a life. After reading all this, who would dare say the movie is boring?!
I don't think a day goes by when I don't watch something pro wrestling-related on YouTube. My interest in '90s wrestling and tokusatsu rarely intersect, but this is one such occasion where they actually (and surprisingly) do.
While watching this Chris Jericho shoot interview about working with Mickey Rourke just after The Wrestler (2008) was released, Jericho brings up working with fellow squared-circle legend "Rowdy" Roddy Piper and shares an anecdote about working with Piper on a film as an extra before Jericho hit it big in the wrestling business.
The story has little to do with Piper and is actually about Piper's co-star in that film, none other than Shinichi "Sonny" Chiba.
At the 9:48 mark in the above video, Jericho states:
I did a movie with him [Roddy Piper] in Mexico City in '93 called Immortal Combat -- not "Mortal," "Immortal"! If you pause at the right moment, you'll see me. I was getting the shit kicked out of me by this Japanese karate guy called Sonny Chiba, who was about 65 at the time. And, on the tenth take, he was literally just kicking me right in the face.
I watched and enjoyed Jericho's mid-to-late-'90s WCW run and (if I'm being honest) paid little attention to his WWF/WWE work. But I had no idea that he'd ever worked with Sonny Chiba on film, which is why I wanted to point it out in this blog post.
I wonder if Sonny Chiba kicked harder than Ralphus.
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