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Keizo Murase in October 2020. Photo by Brett Homenick. |
Longtime kaiju suitmaker
Keizo Murase passed away on October 14 at 8:21 p.m. at the age of 89. According to
news reports, the cause of death was decompensated cirrhosis of the liver.
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Keizo Murase poses with an old friend in April 2019. Photo by Brett Homenick. |
Murase-san's credits in the word of tokusatsu as a suitmaker are second to none. But I'll let the master himself tell his own story in my interviews with him, which can be read
here and
here. Those Q&As tell Murase-san's story better than I possibly could in this blog post.
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Keizo Murase in March 2016. Photo by Brett Homenick. |
To the best of my knowledge, I first met Murase-san at an event in May 2013. I subsequently met Murase-san in and around Tokyo numerous times and enjoyed interviewing him at his company more than once.
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Keizo Murase chats with kaiju beam animator Sadao Iizuka in March 2016. Photo by Brett Homenick. |
While I wasn't as close to him as I was with other Godzilla series alumni (as I recall, we spoke on the phone only once, and I received a New Year's greeting card from his company once or twice), I always enjoyed his friendly presence at the events his attended.
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Keizo Murase poses with Ultra-series director Toshihiro Iijima in March 2016. Photo by Brett Homenick. |
When I first interviewed him in April 2018, I remember he essentially showered me with gifts, presenting me with a Cast Co. bromide card set with photos from his career, as well as a copy of his book. It was a gesture I've always remembered and appreciated.
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Keizo Murase in March 2016. Photo by Brett Homenick. |
After the interview, which was held in Murase-san's workshop way out in Mizuho, Tokyo, I still had to teach a group lesson on the 10th floor of the Shinjuku Sumitomo Building (the same structure Godzilla crashes into after his first encounter with the Super X) that evening. Murase-san, who picked my translator and me from the nearby train station in his car, drove us back to the station when we were finished. Miraculously, I somehow made it to the lesson literally in the nick of time. Had I arrived even a minute later, I would have been late. It still amazes me how perfect the timing was, given the distances (and various modes of transportation) involved.
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Keizo Murase at his workshop in February 2024. Photo by Brett Homenick. |
My last encounter with Murase-san was in February of this year, just before I left Japan. I visited his workshop one more time to interview him again about his career. Even after the third interview, I still didn't get to cover all the topics I would have liked, but I was and still am grateful to have had the opportunity. The interview probably won't be published for quite a while (I have a massive backlog), but I look forward to getting it published sometime in the future.
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With Keizo Murase in February 2024. |
When I visited Murase-san that day, he was riding high on the fact that he had been selected to receive a special award at the Japanese Academy Film Prize on March 8 for his contributions to Japanese cinema. The timing of that award was impeccable, and I'm proud that Murase-san was able to receive such a prestigious accolade in his lifetime.
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With Keizo Murase in March 2016. |
While we were taking photos after the interview in February, Murase-san grabbed his phone and asked his son to take a picture of the two of us together. I've said it before, but it's always cool when a VIP asks to take a photo with
you.
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With Keizo Murase in October 2020. |
Murase-san created some of the most fantastic images of my childhood, and it was my privilege that I was able to spend some precious moments in his company. Rest in peace, Murase-san.
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