An Evening with the Director of 'Godzilla 1985's' American Version!

R. J. Kizer poses with a photo of an old friend. Photo by Brett Homenick.

After spending the afternoon with Adryan Russ, I headed over to the Tallyrand restaurant to meet up with director and film editor R. J. Kizer, whom I've interviewed more than once. This was also our first face-to-face meeting. 

When I pulled into the parking lot, I spotted R. J. entering the restaurant. He saw me, as well, and waited for me to park my car. When I walked up to him, he commented that I was taller than he expected. That made me feel like I was back in Japan!

While we ate, R. J. shared quite a few stories about his time at New World Pictures, most of which I'd never heard before. But, because I'd never really spoke to him about anything other than his work on Godzilla '85, that was to be expected. 

The stories were just as often hilarious as they were fascinating. I felt someone could make quite an entertaining movie based on some of R. J.'s experiences. It certainly would be a lot more fun than the recent Jason Reitman flick Saturday Night.

I'm amazed it took us this long to meet in person, given how Godzilla 1985 is one of my favorite films. But I'm overjoyed it was finally happened. After dinner, R. J. gave me directions back to the freeway, which turned out to be spot-on. Many thanks to R. J. for a wonderful evening!

Saving the Earth in L.A.!

Adryan Russ. Photo by Brett Homenick.

On Sunday, October 20, I made my out to Los Angeles and had a great time there. The first meeting I had was with Adryan Russ, who performed the iconic "Save the Earth" song for the AIP release of Godzilla vs. the Smog Monster (1971). Even though I interviewed Ms. Russ way back in 2007, this was our first visit in person.

We met at the Lonny Chapman Theatre for a performance of The Orphan's Revenge, which was pretty enjoyable. The melodramatic show encouraged audience participation in the form of booing and hissing the villains and cheering the good guys. I don't think I'll ever forget the name of "Yack" Phillips.

"Save the Earth!" Photo by Brett Homenick.

After the show, we noticed a massive fire close to our vicinity. The smoke happened to be billowing from an area directly behind Joe's Smog Check, which, given the circumstances, was quite a coincidence. It looked like Godzilla and Hedorah were duking it out behind a sign warning the world about smog! If only Yoshimitsu Banno and his camera crew were there, it would have been complete.

It was great to meet Adryan in person and to chat about not just Smog Monster but a variety of other topics. I look forward to meeting up again in the future.

Keizo Murase, Legendary Kaiju Suitmaker, Passes Away at 89

Keizo Murase in October 2020. Photo by Brett Homenick.

Longtime kaiju suitmaker Keizo Murase passed away on October 14 at 8:21 p.m. at the age of 89. According to news reports, the cause of death was decompensated cirrhosis of the liver. 

Keizo Murase poses with an old friend in April 2019. Photo by Brett Homenick.

Murase-san's credits in the word of tokusatsu as a suitmaker are second to none. But I'll let the master himself tell his own story in my interviews with him, which can be read here and here. Those Q&As tell Murase-san's story better than I possibly could in this blog post.

Keizo Murase in March 2016. Photo by Brett Homenick.

To the best of my knowledge, I first met Murase-san at an event in May 2013. I subsequently met Murase-san in and around Tokyo numerous times and enjoyed interviewing him at his company more than once.

Keizo Murase chats with kaiju beam animator Sadao Iizuka in March 2016. Photo by Brett Homenick.

While I wasn't as close to him as I was with other Godzilla series alumni (as I recall, we spoke on the phone only once, and I received a New Year's greeting card from his company once or twice), I always enjoyed his friendly presence at the events his attended.

Keizo Murase poses with Ultra-series director Toshihiro Iijima in March 2016. Photo by Brett Homenick.

When I first interviewed him in April 2018, I remember he essentially showered me with gifts, presenting me with a Cast Co. bromide card set with photos from his career, as well as a copy of his book. It was a gesture I've always remembered and appreciated.

Keizo Murase in March 2016. Photo by Brett Homenick.

After the interview, which was held in Murase-san's workshop way out in Mizuho, Tokyo, I still had to teach a group lesson on the 10th floor of the Shinjuku Sumitomo Building (the same structure Godzilla crashes into after his first encounter with the Super X) that evening. Murase-san, who picked my translator and me from the nearby train station in his car, drove us back to the station when we were finished. Miraculously, I somehow made it to the lesson literally in the nick of time. Had I arrived even a minute later, I would have been late. It still amazes me how perfect the timing was, given the distances (and various modes of transportation) involved. 

Keizo Murase at his workshop in February 2024. Photo by Brett Homenick.

My last encounter with Murase-san was in February of this year, just before I left Japan. I visited his workshop one more time to interview him again about his career. Even after the third interview, I still didn't get to cover all the topics I would have liked, but I was and still am grateful to have had the opportunity. The interview probably won't be published for quite a while (I have a massive backlog), but I look forward to getting it published sometime in the future.

With Keizo Murase in February 2024.

When I visited Murase-san that day, he was riding high on the fact that he had been selected to receive a special award at the Japanese Academy Film Prize on March 8 for his contributions to Japanese cinema. The timing of that award was impeccable, and I'm proud that Murase-san was able to receive such a prestigious accolade in his lifetime.

With Keizo Murase in March 2016.

While we were taking photos after the interview in February, Murase-san grabbed his phone and asked his son to take a picture of the two of us together. I've said it before, but it's always cool when a VIP asks to take a photo with you. 

With Keizo Murase in October 2020.

Murase-san created some of the most fantastic images of my childhood, and it was my privilege that I was able to spend some precious moments in his company. Rest in peace, Murase-san. 

'Howl's Moving Castle'

Fathom Events' Studio Ghibli Fest 2024. Photo by Brett Homenick.

"This is Operation: [Howl's Moving Castle]." -- Don Frye, Godzilla: Final Wars (2004)

I'm sure I've mentioned it here before, but I've never been a fan of Studio Ghibli. I suppose it would be a bit more accurate to say that I've never been into anime in general. It's just never been my thing, though I guess I can see why others would be into it. Under other circumstances, I might have become a fan myself.

To the best of my knowledge, the only Ghibli film I'd seen before tonight was My Neighbor Totoro (1988), which was shown on video in one of my classes back in the day. Honestly, I can't remember if we even finished the thing, but that (more or less) had been my only exposure to Ghibli.

While going to the movies a month or two ago, I noticed the above advertisement promoting something called Studio Ghibli Fest. One title in particular stood out to me -- Howl's Moving Castle (2004). Pretty much every Ghibli fan I've spoken to has essentially the same opinion: It's just not that good. So you may be wondering why that, of all the movies being screened, would catch my attention.

In early 2005, I read in a Godzilla fanzine that Godzilla: Final Wars (2004) got its clock cleaned at the Japanese box office by Howl's Moving Castle. I knew absolutely nothing about that film and hadn't even heard of it until then. But, in that moment, the two movies became inextricably intertwined in my mind.

Howl's movin' and groovin'. Photo by Brett Homenick.

So that brings me to tonight when I caught a screening of Howl's Moving Castle at the nearby multiplex. The version I saw was the English dub with Christian Bale as Howl, by the way.

What did I think? Well, not much, I'm afraid. I have to agree with the folks who've told me over the years that the movie isn't very good. There are no memorable characters, the story and set pieces are all off-the-rack, and the climax was downright dull. What am I saying? The whole movie was dull. I was bored to distraction throughout.

The image of the moving castle itself was pretty impressive, but that's the only positive thing I have to say about it. Otherwise, I was indifferent to the thing. If I'm being honest, I just don't think Ghibli's animation quality lives up to the hype. That's not to say that it's bad or even mediocre, just that it doesn't measure up to the endless praise I read online -- in my humble opinion, anyway.

Here's a quote for the poster: "Better than Howl's Moving Castle!"

It's rather interesting to read the drubbing that Francis Ford Coppola's latest opus, Megalopolis (2024) is receiving from critics and audiences. I saw the film last night and thought it was pretty good -- not great, but certainly not the unmitigated disaster some are trying to make it out to be. Watching the two films back to back, I can safely say that Megalopolis is much much satisfying. 

Suffice it to say, that itch has been scratched, and I can put Howl's Moving Castle away and (in all likelihood) never think about it again. It's too bad Japanese audiences went with the wrong film in late 2004, but it's not like we can do anything about that now.

Come to think of it, how about Don Frye as the voice of Howl? Now that's some inspired casting!